Which acrylic brushes are better to choose: little secrets of choosing the right one. What are the best art brushes to buy? What is the best brush for acrylic

Acrylic paints have established themselves as an extremely versatile painting tool, increasingly used by both professionals and beginners. With this in mind, artists' supplies manufacturers have recently begun to produce special brushes for acrylic. At the same time, brushes designed for oil or watercolor paints are also suitable for acrylic painting. Therefore, it is not surprising that among the huge number of brushes it is very difficult for a beginner to choose the one that would suit his style.

Usually brushes are recommended to choose depending on the technique that the artist is going to apply, as well as on the size of the picture. So, when working with watercolors, brushes with very soft hairs are preferred: it is convenient to apply thin layers of paint with such brushes. And for large-scale canvases, especially if the artist wants to use the technique of oil painting, hog bristle brushes are suitable. They are tough enough to apply a large amount of thick paint to the base.

Soft brushes

Soft-haired brushes hold liquid paint well. They are used when working with watercolor, gouache, acrylic and even diluted oils. These brushes are the best for applying thin even layers and translucent glazes, as well as for drawing fine lines and drawing fine details.
Soft brushes are made from many natural materials, including sable, squirrel, bovine and goat hair, or mixtures thereof. Sable brushes are rightfully considered the best. No brush compares to sable for resiliency, ability to hold paint and keep the tip pointed. However, acrylic paints can damage the hair bun, so risking sable brushes in this case is not worth it. For acrylic, a brush with a mixed composition is suitable: from sable hair and synthetic fiber. And for novice artists, it is better to use synthetic brushes. Moreover, in Lately more and more new types of synthetic brushes appear in specialized stores, and their quality and assortment are constantly improving.

For example, the golden fiber of Dalon brushes (Daler-Rowney) is resilient and silky. The round Dalon brushes are great for fine detailing, while the large brushes are great for evenly painting large surfaces. Other synthetic brushes have similar properties. All of them are a good alternative to sable.

Hard brushes

Acrylic paint, like oil paint, can be applied in a thick layer. It is also suitable for the technique of relief painting - impasto. The brush trace is an important part of the painting: it can be expressive and figurative. For thick paint, you need a brush with a hard hair bundle. And you need to pay attention to its shape and size, how it interacts with the base and how evenly the weight of the brush is distributed when you hold it in your hands. Traditionally, oil painting brushes were made from hog bristles, but today, cheaper and reasonably high-quality synthetic brushes are widely available in specialized stores. Brushes designed specifically for acrylic are moderately hard and pick up and hold thick paint well. At the same time, they are quite flexible, so they can be used to apply thin glazing. There are many types of brushes on sale: with long and short handles, different shapes and sizes.

Brush sizes

Hard brushes (both bristle and synthetic) are numbered from 1 (smallest) to 16 (largest). Soft brush sizes range from 000 to 14 or 16. Soft flat brushes, often referred to as single-stroke brushes, are numbered according to their width. Please note that the same sizes in different series may differ. For example, a #6 brush from one series will not exactly match a #6 brush from another.

Soft brushes should have a short handle, as they are used to write relatively small works, keeping the hand close to the base. And the long handles of hard brushes allow you to stand at some distance from the picture.

Do not buy too many brushes at once - replenish your collection gradually. Choose those brushes that you feel are a bit too big for your work. The fact is that small brushes provoke fuss with trifles, and large ones, on the contrary, oblige to simplify forms and strive for generalizations.

To get started, buy two soft round brushes: #6 and #12 (or #14). You will also need hard brushes. Take synthetic good quality- No. 10 and No. 12, as well as an 2.5 cm paint brush for painting large surfaces.

Get to know us better!

Different brushes leave very different marks, so take the time to study each one. Take a draft and make a few strokes of thick and diluted paint. Try to evenly color the paper, apply a thin layer of glazing. Decide what texture you can create with the tip of the brush, the side, or the flat side. Practice applying long smooth lines, short characteristic strokes and dots.

How to take care of your brush

Acrylic paint dries quickly, and after drying it does not dissolve in water. Therefore, do not be lazy to thoroughly rinse the brushes during operation. If you are so caught up in the creative process that you are not up to it, put them at least in a container of water. Of course, this is not recommended, but at least the paint will not dry out. When finished painting, wash each brush well. First, remove excess paint by wiping the brush on a rag or paper towel. Then dip your brush into the water and swirl around a few times to wash out as much of the paint as possible. The hair bundle should fit snugly against the bottom of the container - this is how you remove the paint stuck to it. Then blot the brush with a rag and lather with regular soap. Try to get the soap suds between the fibers and under the metal casing. Rinse the brush under running water. If the dripping water is not completely clear, lather again and rinse the brush. Then wipe it off with a rag or paper towel. Finally, use your fingers to give the brush its original shape and place it in a jar to dry with the hair tuft facing up.

Today, few people can be surprised with extended nails. Modern Art in the nail service offers different types of equipment, uses different materials. Well, to achieve the best result, the master needs to have high-quality tools at hand, in particular brushes for acrylic and gel.

A nail designer needs a great brush when working with acrylic in order to get the best possible modeling when building up. Many craftsmen prefer not too expensive tools made of synthetic bristles. Such brushes serve for a long time and reliably, are able to cover a large area of the nail, and it is also convenient for her to work with thin lines. It is worth figuring out which brushes are best for acrylic?

Rules for choosing an acrylic brush

The preference for choosing a material such as an acrylic brush is intertwined with many factors. It depends not only on the material, but also on the execution technique, price, etc. That is why masters most often use inexpensive brushes, mainly with artificial bristles. Distinguish acrylic brushes in shape. Some are made specifically for modeling only, and some are suitable only for drawing.

The brush necessary for building, regardless of the material, consists of some of the following basic elements:

pens;
clips;
hair bundle.

The main important part is the hair bundle. A metal clip is necessary to connect the parts of the beam and the handle of the product, in addition, it gives shape to the villi. In work, it is more convenient to use one-piece clips, they are not only more reliable, but also have an attractive appearance. The handle of the brush must be made of hard materials, preferably wood. But modern manufacturers offer them with a plastic handle, they are cheaper, but also well in demand.

Criteria for choosing an acrylic brush

The main criteria that an acrylic brush must meet are: the maximum elasticity of the beam, the formation of a sharp tip in the process of nail formation and, not least, ensuring the fluidity of the monomer.

By adhering to these basic rules, you can easily choose a brush for modeling nails, which will subsequently provide excellent results during work. For nail extension, the quality of the brush chosen for acrylic becomes paramount. It is important to understand that even the best art brush cannot be suitable for this work, due to the inappropriate shape, size, and most importantly the quality of the hair bundle.

The composition of the hair bundle for the brush

To build artificial nails, a bundle is made from the hair of not simple, but rather valuable fur-bearing animals. The process of processing them is sorted. Better and longer hairs are selected, which are subsequently collected in one dense pointed bundle. It is these parameters that seriously affect the result, quality and even speed of work.

Due to the density of the hair bundle, the effect of a capillary mesh is achieved. It allows you to absorb a sufficient amount of monomer, while evenly distributing it, which is necessary to give the acrylic balls the perfect consistency. Such a characteristic as the elasticity of the hair bundle is capable of returning it to its original state after each laying out of the material.

The sharp tip of the acrylic brush is needed to form a thinner and more even smile line, while working with small acrylic balls.

Brush Options

The shape and length of the hair bundle is determined mainly by the length of the nails and the desire of the client. Popular among craftsmen are brushes ranging in size from five to ten.
As for the shape: there are round, oval or flat brushes. Round brushes occur with a rounded base at the tuft, have a thick belly and a very thin tip. This form is classic for working with acrylic and is used by most of the craftsmen.

Oval brushes also have a thickened belly and the same thin tip, only the base of the latter has a slightly flattened shape. It is very convenient to use when laying out a thin layer of an artificial nail in the cuticle area, as well as for French extensions.

Acrylic brushes

Acrylic paints appeared in the middle of the 20th century, and since then acrylic painting has dominated the arts and crafts market and constitutes a significant part of the permanent collections of museums and art galleries. Starting your journey into the world of acrylic painting, try to get the best brushes, choosing the ones that are right for your work. Brushes differ in the shape, size and composition of the hair bundle, which we describe in detail in a special article:

Synthetic or natural brushes?

To the less experienced artist, natural bristle brushes may seem more suitable than synthetic bristle brushes. In fact, synthetic brushes are better for acrylic painting. They are usually cheaper, more durable, more resistant and resilient than natural ones. More importantly, acrylic paint can damage natural hair. For this reason, we recommend that beginners choose synthetic brushes. They are produced by most manufacturers in a variety of price categories: from fairly inexpensive ones, such as Painting brushes (Kirov) or Pinax (China), to the famous Da Vinci brushes.

The form

Each brush is designed for a specific purpose, but you probably won't need every one.

For example, flat brushes hold a lot of paint and are good for creating broad strokes and fills. Tips and sides can be used for finer lines and small strokes.

Round or pointed brushes are more flexible. They have a bulging "tummy" that tapers to a thin point, and are suitable for both fine detail work and dense strokes when pressing harder on the canvas.

Size

There are quite a few sizes for each brush shape, from 0000 to 24. Even the best brushes of the wrong size will be difficult to use. If your painting requires a lot of detail, you will need a small round brush. When creating landscapes or other large format acrylic paintings, it is much easier to work with a large brush. Medium brushes can do a lot of intermediate work.

Brushes for acrylic paints can have both short and long handles. Brushes with longer handles are useful for easel work when you're painting from a distance so you can see the whole picture.

Sets

Brushes can be very expensive. To save some money, you can purchase a set in which the brushes are matched in shape and size. This can be a great choice for beginner painters, allowing you to learn how to use different types of brushes and then move on to more expensive options.

You can purchase acrylic brushes in the Wanderer online store, as well as choose and test the brushes you like with your own hands by visiting our stores in Moscow.

Repair is a long and very troublesome business, and in addition it is costly. Today the choice of materials in construction stores huge, which means that the scope for imagination has no boundaries. Despite this, the paint never loses its relevance. Radiator batteries and pipes, wall panels - all this requires annual renewal. Therefore, you will have to be a little painter as well. To get the job done quickly and efficiently, you need good paint brushes. And, of course, you need to decide on the material. It can be varnish or enamel.

Goods for the painter

It can be difficult for the layman to imagine how many of them there really are. Paint brushes differ not only in size. And if until now you have used the only one to perform all types of work, then after reading the material everything will change. So:

Flywheels (KM) - huge and fluffy, made of natural fiber with the addition of synthetics. I have a round shape and are widely used on large surfaces and for whitewashing. The diameter is about 60 cm, and the length of the hairs reaches 180 mm. They tolerate contact with any solvents, perfectly withstand temperature extremes and are not afraid of hot water.
Maklovitsy (KMA) - often used to These are wide, rectangular brushes for paint, which are based on natural horsehair and nylon. This allows the coating layer to be evenly applied. Hair length 100 mm, used for applying adhesive or casein material.
Handbrakes (KR). Small and round, they are great for covering windows or pipes. Consist of pure bristles and horsehair. The middle is empty so that you can accumulate paint.
Paneled - very reminiscent of the paint brushes that we used in childhood, in drawing lessons. Diameter 6-8 mm, they are used to outline contours.
Radiator.
Paint Flat (KF) - wide and flat, made of nylon and badger hair, it is used to eliminate smudges.
Synthetic flat (KP) - artificial. Inexpensive and functional, it is perfect as an assistant in repairs. They ideally apply formulations diluted with water. A universal option to paint any surface, and sizes can be selected.

Using different piles

Synthetics, at first glance, is an ideal option. It is cheap, works great on any surface, wear-resistant. In fact, painters know that quite a lot depends on the material chosen. Bristles made of natural materials absorb the composition well and evenly distribute it over the surface. It is slightly rough to the touch. But on some surfaces, it will leave villi, and the brush wears out quickly.

Synthetic paint tools are made of polymers and have a small thickness. They are excellent for applying water-intensive paints, since such hairs do not absorb the material. This is also justified from an economic point of view.

What do you need to know?

High-quality brushes have a number of properties, but the main functional element is the pile. The longer its length, the more composition the tool absorbs. Therefore, the less often you will need to dip it in the jar. The hairs are not always straight, which allows even better absorption and even treatment of the surface.

Not only the length is important, but also the elasticity of the hairs. If they are not flexible enough, then a large amount of material will remain on the pile. Another rule - the larger the surface area, the more voluminous the brush is. For ceilings and walls, wide, rectangular specimens are needed, and for tables and windows, small ones with various handles are needed.

So the same and so different

At first glance, it is very difficult to choose the best brushes for paint. What are, we have listed, but it did not become easier from this. But a professional consultant will certainly help. Today, for each type of work there is a special tool. There are kits for working with varnish based on synthetic resins, for painting with liquid wax or working with compositions based on water-based emulsion.

The main recommendations regarding the choice of brush are as follows. You need to be attached to the material with which you will work. Later, among the varieties with the desired pile, you will select those that fit in size. If you plan to do varnishing, then it is better to purchase a tool not with synthetic, but with natural hairs. It will be ideal for formulations that include a solvent. The secret is that these hairs have a porous structure and can absorb much more composition.

If you have to work with water-based compositions, then natural pile, on the contrary, is not recommended here. It will lose its shape after the first application. Synthetics absorb less paint, but manufacturers are doing everything to bring its functionality closer to natural.

How to clean a brush from paint?

After you have finished the work, you need to take care of the tools used. Someone thinks that they just need to be thrown away. But this is too wasteful. Much better to wash and save them. To do this, carefully wipe the brush on a paper or cloth towel. The more composition you can remove, the better the laundering process will be.

The second step is the use of a solvent. Do not forget that the choice should be made in accordance with the characteristics of the composition used.

Brushes for watercolor and latex, that is, all that are produced on a water basis, are perfectly washed with ordinary water. The only rule is that they must not be allowed to dry out.
White spirit allows you to cope with oil formulations.
suitable for shellac.

The third step is to rinse again in water and pat dry with a towel.

For interior decoration and as a hobby

They are not always used only to cover the panel with an even layer. If you want to decorate your room with a bright image, then you need to choose the right paint brushes. The nylon tool is best solution for artists who prefer acrylic. It is synthetic and comes in a huge variety of shapes and sizes. The main advantages are:

Elasticity - the material from which the bristles are made does not break and is very flexible. This allows you to apply smooth and clear strokes. It is very convenient and perfect even for a beginner.
Durability - if you take a natural bristle brush, you will quickly understand what the problem is. Painting and coating surfaces with acrylic involves the need to immerse the instrument in water. Therefore, the pile deteriorates and falls out. But the artificial one continues to serve.
Easy to care for - nylon tools are very easy to clean from acrylic, which dries and crumbles. But a brush with natural bristles has a porous structure and is much more difficult to clean.

Rich choice

But which brushes for acrylic paints to choose for a particular job, you will have to decide directly on the spot. Flat, synthetic tools allow you to apply wide strokes due to the thick and long pile. Round - used for painting and painting. Oval synthetic are more often used in painting. They are close to flat in functionality, but change line thickness more easily. Contour brushes are flat, with short bristles. They are needed for applying small details and drawing.

Oil paint brushes

The main requirement for them is increased rigidity, which is due to the specifics of working with oil. A tool with a pile from the column is considered the best choice. The cost of kolinsky brushes is the highest of all, but the costs are offset by high performance properties. It is made from natural materials and pile. As a result, the brushes listen well, with their help you can not only apply an even layer, but also make a pattern or pattern. Unfortunately, the product from the column is very delicate. Even portrait painters note that it can not be used on all canvases. Flax, for example, will very quickly erase its delicate villi. Therefore, when carrying out repairs, most often for oil paint, combined brushes made of natural and synthetic bristles are taken.

Instead of a conclusion

As you can see, the choice is not as simple as it might seem. You will have to take into account the nature of the work to be done, its scale, as well as the coverage that needs to be updated. The material chosen as a coating will also play an important role. Therefore, first think over all the details, and then go to the store. Then success in a difficult task will definitely be ensured for you.

Which brushes are suitable for which paint? For those who do not have an art education - this is dark forest! Let's just figure out which brushes are best to use for different types hobbies and creativity!

The artistic brush is the main tool with which the artist realizes his idea on paper, canvas, fabric or other material.
As part of any artistic brush, three main parts can be structurally distinguished: a handle, a clip (or capsule) and a hair bundle, which, in fact, is the main working surface of the tool.

The handle is mainly made from hardwood of hardwood trees (oak, birch, beech, etc.), and synthetic substances (eg plastic) are sometimes used as a material. There are exclusive brushes with handles made of ivory, some types of minerals, etc.

The clip gives a certain shape, ensures the safety of the hair bundle and connects it to the handle. It is usually made of metal, but can be made from other materials. The most convenient in work, practical, reliable and outwardly attractive seamless clips.

The hair bundle of the brush is natural (squirrel, tiger, pony, goat, badger, kolonok, bristles, etc.) or synthetic hair formed by a clip into a bundle of a certain size and a given shape.

There is also a division of the brushes according to the exhibition of the hair (i.e., the length of the hair in the hair bundle). As a rule, large brush manufacturers produce three main types of hair display for brushes of the same size: long, standard and short. This differentiation allows different work to be done during a painting session. A brush with a shortened exposure is convenient for making short, precise strokes or highlighting Right place, washing the paint particles out of the paper texture. The brush of a standard, average exhibition, as a rule, does the main part of the work. This brush is versatile. And finally, the long insert brush is designed for drawing long, thin lines of constant width.

According to the shape of the cartridge, artistic brushes can be divided into two main groups: round (the cartridge at the end gives a circle in cross section) and flat (the cartridge is flattened at the end).

Round brushes- perhaps the most versatile of all brushes. Depending on the tilt and pressure, it can apply paint and draw lines both constant and variable in a certain section of the width, make wide, thick strokes, or, on the contrary, make the thinnest “hair” lines with the very tip of the beam.
A round brush is great for drawing and allows you to create texture as well as fine detailing.

Flat brushes versus round ones, are more elastic, which makes them indispensable when working with large areas of the surface of a canvas or paper, when it is necessary to apply wide, even strokes of constant thickness (depending on the rotation of the brush during movement, the thickness of the stroke can be changed depending on the intention and need).
They are very convenient for depicting such elements of nature as earth, grass, leaves, as well as architectural compositions of urban landscapes and everything that requires relatively accurate outlines. From round brushes this group differs in that the capsule is compressed at the end, flattened, allowing the formation of a hair bundle of the required (flat - hence the name) shape. Thick long hair of a flat brush allows you to hold a fairly large amount of paint.

contour brushes are one of the varieties flat brushes, is characterized by the fact that it has a shorter hair bundle, which gives the brush additional elasticity. This ensures the high quality of applied flat smears. Thanks to the short hair, contour brushes are very convenient for highlighting the contours of a drawing (hence the name of the tool), for example, in graphic work, as well as creating smooth color transitions.

cat language- this brush is one of the varieties of flat brushes, got its name due to the special shape of the hair bundle with a domed or oval outline at the end. It is universal in that it allows, depending on the position and angle of inclination to the working surface (canvas, paper, etc.), to perform strokes characteristic of both a round (at a perpendicular position to the surface) and a flat brush. It is very convenient for performing a wide variety of color transitions while painting.

Retouching brushes- are one of the varieties of flat brushes and got their name in accordance with the purpose. The shape of a relatively short hair bundle is characterized by the fact that the hair is cut at an angle "obliquely". This allows you to apply very precise (depending on the angle and position of the brush in relation to the working surface) strokes. The cut tip of the brush, with the appropriate pressure of the artist, quickly and easily changes the volume of the hair that carries the paint, depending on the task being solved in a particular case. This feature allows you to confidently and efficiently perform color transitions in inconvenient (hard-to-reach, narrow, small) areas of the picture.

Stencil brushes are a kind of round brushes and got their name depending on the main purpose (applying an even layer of paint through a stencil). The main difference is in the shape of the tip of the hair bundle. Unlike conventional round brushes, which have a pointed end (which allows you to draw fairly thin lines), the stencil brush has a flat and blunt hair tip. Paint with such a brush is applied to the work surface not with horizontal strokes, but with vertical pressure (sometimes with light “blows”). At the same time, these brushes are also suitable for glazing, as well as for making loose paint layers.

Fleitz- (from German Floz - layer) - a very wide flat brush, designed mainly for applying wide layers of paint in one stroke, free painting with fills. The flute is able to hold a lot of paint, thanks to which it is possible to create large textures with a few strokes of the brush. A dry shore brush can be used when working on top of a still wet layer of paint, for example, to blur or soften contours. As a rule, the flute is preferred to be used in watercolor technique, but it can also be used when working with oils, gouache and other paints.

Font brushes- are a kind of round brushes, while having very long hair. Due to this shape and the length of the hair tuft, the main purpose of the brush (hence the name) is the ability to draw thin, even lines without refilling the brush with a paint solution, for example when applying inscriptions. The brush is also very convenient in graphic works, however, for its high-quality use in the process of painting, a certain practice and experience is required.

Line brushes- are a kind of round brushes, similar in shape and properties to type brushes, but unlike the latter, they have shorter hair. With their help, you can also apply thin, precise lines (hence the name), mark contours, and make inscriptions.

fan brushes- are a kind of flat brushes and got their name due to the special shape of the beam, made in the form of a fan. Thanks to this, it is very convenient for them to perform a sophisticated color stretching, soften the contrast of contours and texture. One stroke allows you to apply many thin lines at once, for example, when drawing (detailing) grass, etc. Working with them requires a certain skill.

Basic properties of brushes

1. The ability of the hair bundle to form a sharp tip. This indicator is very important, since the process of creativity often requires the application of very precise strokes, thin lines, rather small details. If your brush will not be able to perform such actions, because. the tip of the beam will be too thick or the hairs will be scattered among themselves, then it will be extremely difficult to fully realize your plan on paper with such a brush. When the brush is torn off the surface of the paper, its bundle must again take its original shape in order to be ready for the next stroke.

2. The elasticity of the hair bundle. For high-quality performance of brush strokes, it is very important that her hair has a certain elasticity. The thinner the paint, the less elastic the brush should be. An aqueous solution of watercolor is best applied with a soft brush, such as a squirrel, when a light touch on the paper is sufficient. The hair of a hard, elastic brush (bristles, synthetics) with strong pressure can blur the bottom paint layer (when working with glazing) and even damage the paper (when working “wet”). However, for some techniques in watercolor, it is precisely an elastic brush that is required (when “pressing” the paint into the texture, blurring the paint layer, etc.). I note that in this case it is necessary to have certain skills and experience, otherwise the picture may be spoiled.

3. Control over paint flow. When working on a painting, the paint should flow from the hair of the brush in the right consistency, in a controlled manner. The famous St. Petersburg watercolor artist K. Kuzema wrote: “Watercolor technique is simple. You just need to be able to correlate the amount of water and paint on the brush and paper at the same time. It is very important to maintain harmony in the work both between the colors themselves and their shades, and between the “sharpness”, the brightness of the strokes. If the brush does not allow you to apply a stroke of the desired length and shape, when it comes into contact with the paper, the hair immediately gives off all the paint or, on the contrary, keeps the paint solution in itself, then even working with good, familiar paper, you will not be able to realize your plan with such a brush.

All brushes differ among themselves depending on the material of the hair bundle. Here are some of the more common groups.

For oil paints:
- brush bristles, speakers, ear hair, synthetics, badger.
For tempera paints:
- brush bristle, kolinsky, ear hair, synthetic, badger, squirrel
For gouache paints:
- brush bristle, kolinsky, ear hair, synthetic, squirrel
For watercolors:
- brush protein, columns.
For acrylic paints:
- kolinsky brush, synthetic, squirrel.

Kolonok picturesque

The brushes are round, flat and oval, made of kolinsky hair, the clip is seamless, the handle is long, covered with mallow.
Kolinsky brush is the leader among brushes. The hair of kolinsky brushes is thin, elastic and has a conical shape. The bundle of the kolinsky brush consists of hairs of different lengths, which, when the filled brush comes into contact with the surface, create a capillary flow. From the tip of the brush, the paint flows in a continuous stream and with excellent consistency. They are intended for artistic works with watercolor, oil, tempera, gouache and acrylic.
The material from which the brushes are made is the wool of a wild animal, a column from the weasel family, it does not breed in captivity, it is found in regions with severe winters, such as China, Siberia, Korea. His hair is long, spindle-shaped, resilient and elastic, tapering at the end to a thin tip. Because of all this, the kolinsky brush has excellent helmet flow characteristics, which is why they are recommended for working with almost all types of paints.

Picturesque squirrel

Round, flat and oval brushes made of squirrel hair, seamless clip, long handle, enamelled.
The squirrel hair brush has a sharp, rapier-like tip (similar to a kolinsky brush), excellent flow control, but low elasticity, and is used for art work with watercolor, gouache, and acrylic.
brushes of this type are made from natural materials - squirrel hair. This material is one of the best for making brushes, because it is very soft, elastic and perfectly retains the shape of the beam. Through the use of special processing technologies, an increase in the elasticity of the material is achieved. All of the above properties contribute to excellent ink retention. You can apply the smallest strokes due to the ability of the hairs to adhere to each other under the influence of moisture. This type of brush is most often used for painting faience and porcelain, as well as for applying watercolors.

Synthetics picturesque

Brushes are round, flat oval and fan made of synthetic hair, the clip is seamless, the handle is long, they are covered with enamel.
Synthetic hair brushes are characterized by elasticity, elasticity, which contributes to good filling of the brush and even application of paint. They are used for artwork in oil, tempera, gouache and acrylic.
this species brushes are characterized by ideal shape, elasticity, flexibility and resilience, which makes it ideal for applying liquid paints. Hair itself cannot hold paint as well as natural hair, but it is much stronger. This brush is very well suited for use with synthetic paints such as tempera and acrylic. The brushes made from this material are versatile, they can be used in miniature painting and large-scale works. This may explain the presence of a variety of series of brushes and handle lengths. For example, a long handle allows you to apply paint, being at a distance from the work itself, which allows you to cover a large area with your eyes.
Also, such brushes are used in the now popular decoupage technique!
From myself: brushes are durable (with proper care), when painting or varnishing do not leave marks!

badger picturesque

Bristle picturesque

The brushes are round, fan-shaped, flat, made of bleached bristles, the clip is seamless, the handle is long, sometimes covered with enamel.
Elastic, hard bristles are processed, and only boiled and bleached bristles are used to make brushes professional quality. After elasticity, the most important characteristic is the split tip, which contributes to a good filling of the brush and is intended for artworks with oil, acrylic, tempera.

Brush care
brushes require careful attitude to yourself. In case of careless handling (for example, with strong, rough pressure with a watercolor brush on the bottom of a container of water), the tuft hairs can break on the edge of the clip, and the brush will be damaged.
Do not leave the brush in the water so that it rests on the bottom of the container with a hair bundle. This can ruin the shape of the bundle, break the capillarity and lead to hair breakage.
After finishing work, the brushes should be thoroughly cleaned of paint and placed in a container (glass, vase, jar, etc.) for storing brushes with the hair bundle up. The accumulation of dry paint on the hair bundle near the clip itself and inside it significantly reduces the life of the brushes, so be sure to thoroughly clean the working brushes after a painting session.
After working with watercolors and gouache, rinse the brushes well enough in barely warm water, making sure that there is no coloring pigment left on the hairs. If you are working with acrylics or oils and wash your brush with solvent, be aware that poorly rinsed solvent can accumulate inside the barrel and dissolve the fixative adhesive, causing hair to fall out and the brush to fail.
Store your brushes in a dry, moth-proof place to prevent damage to the hairs and keep the tuft in its shape.

I wish you all a pleasant choice and successful shopping!